GROWING COLLECTION OF HIGH END FILM LUTS FOR DIGITAL CAMERAS

Best LUTS

BMPCC4k LUTS

BMPCC6k LUTS

p4k LUTS

RED CAMERA LUTS

ALEXA LUTS

BEST LUTS

Film LUTS

Cinematic LUTS

BEST LUTS FOR CAMERAS

Best Luts Collection for Digital Cameras including Blackmagic Design Pocket Cinema Camera 4k and 6k BMPCC4k, BMPCC6k, LUTS for RED DIGITAL CAMERAS, ARRI ALEXA and Many others. Collection of cinematic luts includes best luts for digital cameras on the market. Most advanced color science.
Growing Collection of High End Film Luts for Digital Cameras

Introducing origami lut

High End 3D LUT Utilizing LOG3G10 and IPP2 Workflow for RED Digital Camera

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HOW TO USE

Origami LUT is designed specifically to utilize IPP2 REDWIDEGAMUT LOG3G10 workflow for RED Digital Camera. It dives deep into color science of the camera sensor bringing cinematic image with few clicks of the mouse. Working with Origami LUT is extremely simple. Entire workflow designed to give user cinematic grade straight after applying the LUT. Origami LUT is an excellent choice for DI colorists on set and final studio color grading making Origami very versatile for LOG3g10 LUT workflow. All you have to do, just crank the curve and find the white balance. That’s it! The rest is your creative imagination!!!

NOW AVAILABLE FOR BMPCC4k, BMPCC6k, URSA & DJI INSPIRE X7 LOG to REC709

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All LUT’s in the collection where created by a professional Film Colorist Aram K. using precise color fidelity screen and purest camera aqusition to make sure there is no contamination between the lens and the camera sensor. Every extra glass or filter on top of the lens affect the quality of the final image. Every LUT comes with dedicated tutorial page how to use them and what settings to dial in for best lut quality.

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Example of the Node Tree

Basic Workflow Example of Working with ORIGAMI LUT. This is a general “guide”

NODE 1

For best color grading results, always use Noise Reduction in the First Node for Most Situations. 

NODE 3

Adjust Exposure of You Shot.

NODE 4

White Balance. This is Where You Dial Precise Color Temperature, or look depending on the shot.

NODE 2

This is where you place the LUT, further adjustments could be after this node, or prior, depending on the situation.

check out Detailed demonstration page how to use Origami LUT with your footage.

DEMO for RED DIGITAL

SAMPLES of ORIGAMI LUT. ALL images where graded in ipp2/redwidegamut/log3g10

Still Images and Footage are Courtesy of RAWFILM | Cinematic Royalty Free Stock Footage

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